Articles

Level 4 "Ballet Arts for Young Children" Curriculum Release

May 30, 2015

We just wrapped up the finishing touches on our finest curriculum to date! Here is a sneak peek into many of the unique features of Level 4. Color illustrations   Helpful Diagrams, Which Can Also… Read More

Level 4 "Ballet Arts for Young Children" Curriculum Release

Improving Behavior With Consequences

May 29, 2015

Just imagine: A class full of unruly 4 and 5 year olds that don’t listen, don’t mind you and have a lot of trouble staying attentive. Sound familiar? Sounds like a nightmare! In the teaching help section of… Read More

Improving Behavior With Consequences

Recognizing the Student NOT Ready for Pointe

May 24, 2015

We’ve discussed weight placement on pointe, conditioning principles to improve pointe, whether or not my student is ready for pointe, how to fit their first pair of pointe shoes, and preparing little feet for pointe. Read More

Recognizing the Student NOT Ready for Pointe

6 "Must Haves" for Teaching Ballet

May 15, 2015

Not everyone can teach, and not everyone should. As I press on in my journey as a ballet instructor, I find the truths found in the “Level 1 Curriculum Book” to be so very pertinent and… Read More

6 "Must Haves" for Teaching Ballet

Games for the Ballet Classroom

May 12, 2015

It’s not just a suggestion, it’s pretty much a tried and true fact that children need to have at least one short break during their 45 minute to 1 hour ballet class. Most children between the ages of 3 to… Read More

Games for the Ballet Classroom

Conditioning Principles to Improve Pointe Work

May 8, 2015

Is there such a thing as pushing your students too far when it comes to pointe work? I certainly believe there is, and I must admit, after reading Ruth Brinkerhoff’s “Pointe 1: An Introduction to Pointe Work”, … Read More

Conditioning Principles to Improve Pointe Work

20 Ways to Create a Comfortable Class

April 27, 2015

Most of us can remember being in a class where we couldn’t focus or understand what was being presented. It wasn’t much fun, was it? A dance class can feel that way to a young child. Childrens’ brains… Read More

20 Ways to Create a Comfortable Class

Understand Your Students' Growth Process

April 17, 2015

The little bodies of children between the ages of 7 and 10 are going through a lot of physical changes. As teachers, we need to understand and respect the body’s need for certain parameters when it comes to teaching ballet… Read More

Understand Your Students' Growth Process

The 7 Basic Principles of Classical Ballet

April 10, 2015

The Rules of Classical Dance were first set down definitively by John Weaver in 1723. Each generation has had its great teachers of ballet who have added insights and details to these rules and principles. These principles are essential for… Read More

The 7 Basic Principles of Classical Ballet

Training Your Dance Assistant

March 6, 2015

Teachers have gone back and forth on this issue forever: Is it a good idea to use a teacher’s assistant in class? Some are like I was and would prefer that the teacher be the sole authority in… Read More

Training Your Dance Assistant

The Twelve Week Rule

February 21, 2015

One of the hardest things a pointe teacher faces is the fear that their students may injure themselves. This, of course, is the last thing we want for our students. Too often the students are pushed too hard too soon, and… Read More

The Twelve Week Rule

The 3 Stages of Coordination

February 13, 2015

Ballet skills are built upon the base of natural skills that has been developed within the person. This is why extensive experience with fundamental movement skills is important for a ballet class of young children. It is surprising… Read More

The 3 Stages of Coordination

Don't Be A Skipper, Teach Them To Skip!

February 7, 2015

Skipping requires balance, symmetry in muscle use, self-esteem and some natural coordination. It is often used as an indicator of ‘readiness to learn’ academic subjects. It is expected that children in a dance class will learn to skip. Read More

Don't Be A Skipper, Teach Them To Skip!

Pacing of Ballet Classwork

January 31, 2015

I remember the very first time I taught a pre-ballet class by myself. It was a group of crazy, beautiful, energetic 5 and 6 year-olds. They looked at me with expectation and excitement and I looked right back with sheer… Read More

Pacing of Ballet Classwork

Choreographic Advice for Teachers

January 23, 2015

“Never let an opportunity go without adding your enlightening [movement] to further the cause of the loftiest, oldest, most profound of the arts and, in so doing, I sincerely believe that you will be… Read More

Choreographic Advice for Teachers

Is My Student Ready for Pointe?

January 13, 2015

This is such a big and important question. It is one of hardest questions ballet teachers face. We don’t want to put them on pointe too early because they can really injure themselves. So, when is the right time to start with… Read More

Is My Student Ready for Pointe?

Planning Your Lessons

January 6, 2015

Let’s face it: we don’t have time to do detailed planning for every class. Class just isn’t the same if you walk in without a lesson plan. The students don’t get as much out of the time you have… Read More

Planning Your Lessons

Release Day 2015

January 3, 2015

It’s finally here! The release of the first ever digital ballet curriculum and lesson plans!… Read More

Release Day 2015

5 Principles of Classical Ballet for Young Children

December 19, 2014

Even at the earliest age, ballet students are absorbing the classical principles we instill in them. From as early as age 3, there are fundamental movement and artistic elements that can be cultivated in order to shape how that student learns and… Read More

5 Principles of Classical Ballet for Young Children

Six Choreographic Guidelines for Threes

November 16, 2014

It surprised me this year how much of a struggle it is to choreograph for three and four year olds! Doesn’t seem like a huge task; after all, they’re only preschoolers! They’ve hardly scratched the surface of ballet technique, what… Read More

Six Choreographic Guidelines for Threes

Curriculum In the Works

November 14, 2014

Good evening, friends. Just wanted to put a quick message out there to those of you who are awaiting the release of Ruth Brinkerhoff’s ballet curriculum in PDF form . . . It’s coming! The late… Read More

Curriculum In the Works

No-Stress Performance Prep

November 10, 2014

In my last blog post, (The Dance Teacher’s Secret Weapon) I gave out the secret that every dance teacher should grab a hold of and use the moment any students begin to show signs of burnout or boredom. Having… Read More

No-Stress Performance Prep

The Dance Teacher's Secret Weapon: Expectancy

November 6, 2014

It’s been one of those weeks. We all know them—toward the end of the first term, dance teachers often experience their first bouts of student burnout. Everything was great when we first started the semester, but now the students have already… Read More

The Dance Teacher's Secret Weapon: Expectancy

Why "Changing It Up" May Not Always Be Best

October 6, 2014

One might think that the best way to keep a group of active, eager and talkative 9 year-olds’ attention would be to make things different each week of ballet class. That way they stay engaged and interested. Ruth Brinkerhoff’s “… Read More

Why "Changing It Up" May Not Always Be Best

Ballet Began In Italy

September 25, 2014

Say what?! Yes, indeed. Some people think that, because ballet terms are in French, that France must have been the origin of ballet. Of course, we ballet teachers know this, but remember, some of our students do not know that… Read More

Ballet Began In Italy